Professor of Theatre Arts
Recruiter for Theatre Arts
BFA The Ohio State University
MFA University of California, San Diego
Kevin served as the Period Style and Etiquette Coordinator for the 2012-2013 Broadway production of The Heiress.
He is co-adapting the stage version of Kathryn Harrison’s novel Exposure and his play The Holy Terror is published by Stage Voices Publishing (ASIN: B002VBWFFY).
He is Co-Founder/Artistic Director of Blueprint Theater Project (www.BlueprintTheaterProject.org).
Acting II (American Realism)
Acting III (Ibsen, Chekhov, Coward, Wilde & Shaw)
Directing credits include: Meredith Willson’s The Music Man (2016), Richard Bean’s One Man, Two Guvnors (2015), Christopher Sergel & Harper Lee’s To Kill a Mockingbird (2014) for the Weathervane Playhouse (OH), Christopher Durang’s Baby with the Bathwater (2007) for Ground UP Productions (NYC); Shakespeare’s Romeo + Juliette (2007) for the Collective Company (NYC); Oscar Wilde’s The Importance of Being Earnest (2013), Wilde’s An Ideal Husband (2010), Marivaux’s The Triumph of Love (2009), Constance Cox’s adaptation of Wilde’s Lord Arthur Savile’s Crime (2005) and Richard Brinsley Sheridan’s The Rivals (2004) at the National Black Theatre and The Poet’s Den Theatre/Take Wing and Soar Productions (NYC); Timberlake Wertenbaker’s Our Country’s Good (2016), Frank Wedekind’s Spring Awakening (2015), O Pioneers! (2014), Unidentified Human Remains and the True Nature of Love (2014), James Magruder, Susan Birkenhead and Jeffrey Stock’s musical adaptation of Marivaux’s Triumph of Love (2013), J.B. Priestley’s Time and the Conways (2011), Oliver Goldsmith’s She Stoops to Conquer (2009), Michael John LaChiusa’s musical Hello Again (2008), Tennessee Williams’ Approaching the End of a Summer and Edward Albee’s Finding the Sun (2007), A.A. Milne’s The Ugly Duckling (2006), an adaptation of Shakespeare’s Richard II titled The Holy Terror (2005), James Valcq and Fred Alley’s musical The Spitfire Grill (2003), Seneca’s Trojan Women (2002), Oscar Wilde’s The Importance of Being Earnest (2001) and Tony Kushner’s Reverse Transcription (2000) all at Marymount Manhattan College (NYC).
He performed in the play Temporarily Yours, (also playwright) at the 2001 Edinburgh Fringe Festival (Scotland). Additionally, Kevin has performed in productions at The National Theatre (London), La Jolla Playhouse (San Diego, CA), Steppenwolf Theatre Company (Chicago, IL), TheatreWorks USA (NYC/Tour), The Wayside Theatre (Winchester, VA), TheatreFest, NJ (Montclair, NJ) and Pinewood Film Studios (London), among other credits.